Iowa City, Iowa — The eagerly awaited film adaptation of Rachel Yoder’s debut novel, Nightbitch, will open FilmScene’s 3rd annual Refocus Film Festival this fall on October 17, 7:00pm, 2024 at The Englert Theatre, followed by the festival’s opening night Postscript Party.
"Directing just her fourth feature, Marielle Heller has already proven to be among the best at adapting off-beat, clever stories with panache,” said programming director Ben Delgado. “We're super excited to be able to open the festival with her latest."
According to the official Nighbitch film logline, six-time Academy Award nominee Amy Adams stars as a woman who “pauses her career to be a stay-at-home mom, but soon her new domesticity takes a surreal turn.” The film is written for the screen and directed by Marielle Heller (The Diary of a Teenage Girl, A Beautiful Day in the Neighborhood), is based on the novel of the same name by Iowa City author Yoder.
“One of this festival’s guiding principles is celebrating Iowa’s incredible contributions to the world of storytelling” said festival Executive Director Andrew Sherburne. “There’s no better way to honor Iowa City’s artistic talent than by showcasing the cinematic adaptation of Rachel’s electric novel Nightbitch. We’re so excited to see this on the big screen.”
Refocus Film Festival is a celebration of the art of adaptation, presented by the James Investment Group, is curated and produced by FilmScene, Iowa City’s nonprofit cinema. The festival will include over 25 films and events with conversations, multi-disciplinary performances, and art inspired by adaptation and transforming one art form into another. Events will take place October 17-20, primarily in FilmScene's five theaters at The Chauncey and on The Ped Mall, with additional programming in Iowa City’s downtown district. Passholders will have the first opportunity to book tickets, and passes can be purchased at www.refocusfilmfestival.org.
Rachel Yoder is the author of Nightbitch. Her 2021 debut novel was selected as an Indie Next Pick, named a “best book of the year” by Esquire and Vulture, and recognized as a finalist for the PEN/Hemingway Award for Debut Fiction. With Mark Polanzak, she is a founding editor of draft: the journal of process. She serves as Assistant Professor of Screenwriting and Cinema Arts at the University of Iowa.
Previously, Refocus Film Festival had announced guitar virtuoso Marc Ribot’s appearance at a live score event for Aelita: Queen of Mars, which is celebrating its 100th anniversary. Additional programming announcements will be made leading up to the mid-September release of the full festival schedule.
The festival runs concurrently, and is an active collaborator with the Iowa City Book Festival produced by the Iowa City UNESCO City of Literature. The book festival takes place in multiple venues in downtown Iowa City from October 14-20, with numerous free events, connecting readers and writers through the power of story.
ABOUT REFOCUS FILM FESTIVAL
Refocus Film Festival, in its third year, will present a full weekend of films, gatherings, conversations, special guests, and live performances in a community-wide celebration of cinema. This vibrant, wholly unique annual festival spotlights source material—literature, journalism, photography, music, art, podcasts, and more—and presents its evolution of voice, perspective, and medium to the big screen.
ABOUT FILMSCENE
FilmScene is Iowa City’s nonprofit cinema, working in partnership with the Bijou Film Board, a University of Iowa student organization, to present films at two locations on five permanent screens and a seasonal outdoor cinema. From our home in Downtown Iowa City, we enrich the cultural vitality of the surrounding area through community-supported programming that showcases exceptional American and international filmmaking in a vibrant, accessible, equitable, and welcoming space. FilmScene’s mission is to challenge, inspire, educate, and entertain our diverse communities through the shared discovery of film.
The 2nd edition of the Refocus Film Festival will feature over 30 films and special events, including a visit from famed filmmaker Werner Herzog, during the four day festival, October 12-15 in downtown Iowa City. The festival features 17 new feature films, five short films, six classic restorations, four special screenings, one cinematic art project open to the public, three curated conversations, dozens of local artists and daily festivities.
Passes and individual tickets to the festival are now available at refocusfilmfestival.org.
Film highlights include new films by legendary directors Jean-Luc Godard and Errol Morris, established filmmakers Susanna Fogel, William Oldroyd, Sergey Loznitsa, and Kaouther Ben Hania, and emerging talents Paul B. Preciado, Brian Becker and Marley McDonald. Plus a special treat from Joe Dante.
The full lineup includes Cannes festival prize winners The Taste of Things (Tran Anh Hung, Best Director), Four Daughters (Best Documentary) and About Dry Grasses (Merve Dizdar, Best Actress). This diverse slate of adaptations emerges from varied sources: Eileen, adapted from the acclaimed novel of the same name by Ottessa Moshfegh, Blue Giant, from a manga series by Shinichi Ishizuka, and Radical Wolfe from Michael Lewis’s article about the life of novelist Tom Wolfe.
The festival will feature a dozen special guests, including graphic novelist Sara Varon on Opening Night with Robot Dreams, Susanna Fogel with Cat Person (adapted from Kristen Roupenian’s viral sensation), John Irving presenting his Oscar-winning The Cider House Rules and Werner Herzog receiving FilmScene’s Cinema Savant award and discussing his life in cinema.
Classic selections include Ousmane Sembene’s Xala, Stanley Kubrick’s The Shining, Béla Tarr and Ágnes Hranitzky’s Werckmeister Harmonies, Jean Grémillon's Gueule d'amour (1937), Werner Herzog’s Cobra Verde, Satyajit Ray’s The Music Room.
This year's edition features Iowa City connections, This Much We Know (adapted from John D’Agata’s About a Mountain), and ten international films including Egoist (Japan), Music (Germany) and Ernest and Celestine: A Trip to Gibberitia (France), the latter presented with free admission for children.
The festival is presented by James Investment Group with major support from The City of Iowa City, Dr. Suzanne Stock, Orthodontist, Think Iowa City and the University of Iowa.
ABOUT DRY GRASSES
(2023, Turkey, France, Germany, Sweden) Dir. Nuri Bilge Ceylan
A young teacher hopes to be appointed to Istanbul after mandatory duty at a small village. After a long time waiting he loses all hope of escaping from this gloomy life. However, his colleague Nuray helps him to regain perspective.
BLUE GIANT
(2023, Japan) Dir. Yuzuru Tachikawa
Dai's life is completely changed the day he discovers jazz. A dedicated saxophonist, he moves from his small town to Tokyo and starts a young trio, determined to be the best player in the world.
CAT PERSON
(2023, USA, France) Dir. Susanna Fogel
When Margot (Emilia Jones), a college sophomore goes on a date with the older Robert (Nicholas Braun), she finds that IRL Robert doesn't live up to the Robert she has been flirting with over texts.
EGOIST
(2022, Japan) Dir. Daishi Matsunaga
Touching on themes of sexuality and class in contemporary Japan, this deeply moving story follows fashion magazine editor Kosuke and personal trainer Ryuta whose romantic relationship flies in the face of their society's traditional values.
EILEEN
(2023, USA) Dir. William Oldroyd
Adapted from Ottessa Moshfegh's celebrated novel of the same name, this dark tale of friendship and unrequited love in the 1964 Boston suburbs follows Eileen, a young secretary (Thomasin McKenzie) at a juvenile correctional facility, who is immediately taken by the new psychologist (Anne Hathaway).
ERNEST AND CELESTINE: A TRIP TO GIBBERITIA
(2023, France) Dirs. Julien Chheng, Jean-Christophe Roger
Ernest and Celestine fight a fascist ban on music in this loveable follow up to the Oscar-nominated film based on characters from the French children's book series by Gabrielle Vincent.
FOUR DAUGHTERS
(2023, Tunisia) Dir. Kaouther Ben Hania
Reconstructing the true story of Olfa Hamrouni and her four daughters is a riveting exploration of rebellion, memory, and sisterhood. Kaouther Ben Hania's award-winning film is powerfully revealing with a spirit of resilience at its core.
MONOGRAPH SHORTS PROGRAM
A Refocus Film Festival shorts block, featuring four selections that expand our understanding of art and adaptation. TRAILER OF THE FILM THAT WILL NEVER EXIST: PHONY WARS
(2023, France, Switzerland) Dir. Jean-Luc Godard; JILL, UNCREDITED (2023, UK, Canada) Dir. Anthony Ing; THE DEBUTANTE (2022, UK) Dir. Elizabeth Hobbs; I SNUCK OFF THE SLAVE SHIP (2019, USA) Dirs. Lonnie Holley, Cyrus Moussavi
MUSIC
(2023, Germany, France, Greece, Serbia) Dir. Angela Schanelec
On a stormy night in the mountains of Greece, a pair of wayward young people abandon their newborn child. Freely inspired by the story of Oedipus, Angela Schanelec's latest is as terrifying as myth and as gentle as a folk song.
THE NATURAL HISTORY OF DESTRUCTION
(2022, Germany, Lithuania, Netherlands) Dir. Sergei Loznitsa
An examination of the perception and processing of the phenomenon of mass destruction of the German civilian population in European post-war literature.
ORLANDO, MY POLITICAL BIOGRAPHY
(2023, France) Dir. Paul B. Preciado
Theorist, curator, and critic Paul B. Preciado reimagines Virginia Woolf’s classic novel in this bold, inventive celebration of trans experience. A kaleidoscopic lens through which we encounter transness in its myriad forms and look towards a future of liberation for all trans people.
THE PIGEON TUNNEL
(2023, USA) Dir. Errol Morris
Spanning six decades, John le Carré gives his final and most personal interview, interspersed with rare archival footage and dramatic anecdotes.
RADICAL WOLFE
(2023, USA) Dir. Richard Dewey
The first feature film to unpack the inimitable life and career of great American New Journalist Tom Wolfe is as illuminating as it is deeply personal, pulling back the curtain on the man in the white suit.
THE TASTE OF THINGS
(2023, Fance) Dir. Tran Anh Hung
Adapted from the 1924 book La vie et la Passion de Dodin-Bouffant, Gourmet by Marcel Rouff, the story of Eugenie, an esteemed cook, and Dodin, the fine gourmet she has been working for over the last 20 years.
THIS MUCH WE KNOW
(2022, USA) Dir. L. Frances Henderson
A filmmaker finds personal solace in retracing and expanding a book reflecting on the city with the highest suicide rate in the country and a nation scrambling to bury decades of nuclear excess in a nearby mountain.
TIME BOMB Y2K
(2023, USA) Dirs. Brian Becker, Marley Mcdonald
Do you remember making sure to power down and unplug your computer on December 31, 1999? Created using entirely archival footage, this documentary travels back to the turn of the millennium, showcasing a panoply of eccentric characters and all manner of hilariously dated clips.
OPENING NIGHT: ROBOT DREAMS
(2023, Spain, France) Dir. Pablo Berger
Adapted from Sara Varon's graphic novel of the same name, this touching story of friendship and loss follows a dog and his robot best friend.
JOHN IRVING: THE CIDER HOUSE RULES
John Irving is a graduate of the Iowa Writers’ Workshop who won the Oscar for Best Adapted Screenplay for THE CIDER HOUSE RULES (1999, USA) Dir. Lasse Hallström, Irving will join us in person for a screening and discussion of how his acclaimed book became an Oscar-winning script.
CINEMA SAVANT: WERNER HERZOG
Legendary filmmaker Werner Herzog will receive FilmScene’s Cinema Savant award, discuss his life in film, and read from his soon-to-be-released autobiography, Every Man for Himself and God Against All in a conversation live on stage at The Englert Theatre.
COBRA VERDE
(1987, West Germany, Ghana) Dir. Werner Herzog
During the 1800s, paroled Brazilian bandit Cobra Verde is sent to West Africa with a few troops to man an old Portuguese fort and to convince the local African ruler to resume the slave trade with Brazil.
GUEULE D'AMOUR (LADY KILLER)
(1937, France) Dir. Jean Grémillon
This adaptation of a novel by André Boucler features a foreign-legion Casanova – the “lady killer” Lucien Bourrache – who meets his match in the mysterious seductress Madeleine.
THE MUSIC ROOM
(1958, India) Dir. Satyajit Ray
A fallen aristocrat's crumbling opulence is on full display in this incandescent depiction of the clash between tradition and modernity, one of the defining works of the master filmmaker Satyajit Ray.
THE SHINING
(1980, USA) Dir. Stanley Kubrick
In this adaptation of Stephen King's horror story, a family heads to an isolated hotel for the winter where a sinister presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.
WERCKMEISTER HARMONIES
(2000, Hungary, Italy, Germany, France) Dirs. Béla Tarr, Ágnes Hranitzky
In one of the major achievements of twenty-first-century cinema thus far, a naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.
XALA
(1975, Senegal) Dir. Ousmane Sembene
An adaptation of Ousmane Sembène’s own 1973 novel about a corrupt politician, cursed with impotence on the night of his third wedding after embezzling 100 tons of rice.
FILMSPOTTING LIVE
The #1 podcast for the movie buff according to the New York Times, Chicago’s Filmspotting has provided in-depth movie discussions, interviews, and Top 5 lists since 2005. In this conversation, co-hosts Adam Kempenaar and Josh Larsen share their picks for some of the best recent films adapted from fiction, plays, musicals, and more.
THE MOVIE ORGY
(1968, USA) Dir. Joe Dante
A compilation film designed to evoke nostalgia for the shared entertainment experiences of early baby boomers, including clips from television programs and B-movies of the 1950s and 1960s, as well as commercials, newsreels, blooper outtakes, satiric short films and promotional and government films.
VOORHEES NIGHT OF THE BEAST
(2021, USA) Dir. Jason Pitts
When Jason isn't the only beast in the woods, no one is safe. An unauthorized fiction film for Friday the 13th fans. A special late night, Friday the 13th screening event.
WHISKEY TANGO FILMSCENE
Join us for a night of storytelling with David Kajganich, Kristen Roupenian and other guests of Refocus Film Festival and Iowa City Book Festival to hear their war stories about creating art and getting it out into the world while sipping free samples of Cedar Ridge whiskey!
Legendary film director Werner Herzog will receive FilmScene’s Cinema Savant award and appear in conversation at the Closing Night event of FilmScene’s 2nd Annual Refocus Film Festival on October 15, 2023 at 7:30pm at The Englert Theatre.
Herzog will discuss his life in film, read from his soon-to-be-released autobiography, Every Man for Himself and God Against All and take audience questions. The event is a partnership with Prairie Lights Bookstore and the only Midwest stop on a five-city US book tour. Tickets for Refocus Film Festival passholders are available now for $30 + fees, public tickets will be available September 8 at 10am and are $40 + fees. All attendees receive a copy of Every Man for Himself and God Against All, to be picked up at the event. Tickets available at refocusfilmfestival.com.
“A film festival is a journey of discovery,” said festival Executive Director Andrew Sherburne, “Werner Herzog has spent a lifetime being curious about our world, our stories, our shared experience. As we close the festival, he is the perfect artist to send us off with a renewed sense of wonder.”
Refocus Film Festival, presented by the James Investment Group, is curated and produced by FilmScene, Iowa City’s nonprofit cinema. The festival will include films, conversations, multi-disciplinary performances, and art inspired by adaptation, transforming one art form into another. The festival will take place primarily in FilmScene's five theaters at The Chauncey and on The Ped Mall, with additional programming in the downtown district. The festival will include over 25 films and events as part of a four-day celebration from October 12-15, primarily hosted at FilmScene’s two downtown Iowa City locations.
The multi-hyphenate polymath, Academy Award-nominated director (Aguirre, the Wrath of God; Grizzly Man, Fitzcarraldo, Encounters at the End of the World) tells in his inimitable voice the story of his epic artistic career in a long-awaited memoir that is as inventive and daring as anything he has done before. Born in Munich on September 5, 1942, Herzog made his first phone call at seventeen, and made his first film at the age of nineteen. Since then, he has produced, written, and directed more than 70 feature and documentary films. Herzog has published more than a dozen books of prose and directed as many operas. He has been memed and celebrated in pop culture (The Mandalorian). He lives in Munich and Los Angeles.
"We couldn't think of a better guest than Werner Herzog to bestow our highest honor to." said festival Programming Director Ben Delgado, "his visit caps off four days of global cinema with adaptations expanding the artform—adapted from award-winning authors, creative archival docs, family-friendly hand-painted animation, culturally specific stories of love, and much more."
Refocus is also delighted to announce the first four film selections for the festival, representative of a diverse and exciting film slate of work inspired by other art forms.
EILEEN
(USA) Dir. William Oldroyd
Adapted from Ottessa Moshfegh's celebrated novel of the same name, this dark tale of friendship and unrequited love in the 1964 Boston suburbs follows Eileen, a young secretary (Thomasin McKenzie) at a juvenile correctional facility, who is immediately taken by the new psychologist, Rebecca (Anne Hatheway). A fast friendship lifts the spirits of the impressionable twentysomething, but when things take a turn for the sinister, she must decide what to save in this Hitchcockian thriller.
EGOIST
(Japan) Dir. Daishi Matsunaga
Touching on themes of sexuality and class in contemporary Japan, this deeply moving story follows fashion magazine editor Kosuke and personal trainer Ryuta whose romantic relationship flies in the face of their society's traditional values. Adapted from Makoto Takayama's autobiographical novel of the same name, director Daishi Matsunaga captures the beauty of humanity with a gentle and honest portrayal of complex relationships across generations.
ERNEST AND CELESTINE: A TRIP TO GIBBERITIA
(France) Dirs. Julien Chheng, Jean-Christophe Roger
Ernest and Celestine fight fascism in this loveable follow up to the Oscar-nominated film based on characters from the French children's book series by Gabrielle Vincent. The two friends set off on a journey to Ernest's home country to get his precious "Stradibarius" fixed, but when they arrive, they're shocked to discover that music has been banned.
TIME BOMB Y2K
(USA) Dirs. Brian Becker, Marley Mcdonald
Do you remember making sure to power down and unplug your computer on December 31,1999? Created using entirely archival footage, this documentary travels back to the turn of the millennium, showcasing a panoply of eccentric characters and all manner of hilariously dated clips. The hysteria builds to a fever pitch as the filmmakers take us on a journey to the moment of truth.
In the spirit of cross-disciplinary curiosity, Refocus will share the weekend with the Iowa City Book Festival and Infinite Dream Festival, presented by Hancher Auditorium and the University of Iowa Office of Performing Arts and Engagement. In addition to their independently curated programs, the festivals will cooperate to take audiences deeper into conversation about creativity and community.
ABOUT REFOCUS FILM FESTIVAL
Refocus Film Festival, in its second year, will present a full weekend of films, gatherings, conversations, special guests, and live performances in a community-wide celebration of cinema. This vibrant, wholly unique annual festival spotlights source material—literature, journalism, photography, music, art, podcasts, and more—and presents its evolution of voice, perspective, and medium to the big screen.
ABOUT IOWA CITY BOOK FESTIVAL
The Iowa City Book Festival is produced by the Iowa City UNESCO City of Literature organization, and celebrates books and writing through a mix of readings, discussions, panels, demonstrations, and a book fair over the course of a week in October. The festival collaborates with numerous area organizations to produce dozens of programs that connect readers and writers, minds and ideas.
ABOUT INFINITE DREAM FESTIVAL
Through the lens of the arts, Infinite Dream explores the complex fabric of the American Story—our grand accomplishments, disruptive failures, and remarkable potential for excellence through performances, presentations, and discussions from artists and thinkers from around the world as well as students, faculty, and staff from the University of Iowa.
ABOUT FILMSCENE
FilmScene is Iowa City’s nonprofit cinema, working in partnership with the Bijou Film Board, a University of Iowa student organization, to present films at two locations on five permanent screens and a seasonal outdoor cinema. From our home in Downtown Iowa City, we enrich the cultural vitality of the surrounding area through community-supported programming that showcases exceptional American and international filmmaking in a vibrant, accessible, equitable, and welcoming space. FilmScene’s mission is to challenge, inspire, educate, and entertain our diverse communities through the shared discovery of film.
Acclaimed author John Irving will join us for a Saturday Showcase screening of The Cider House Rules, for which Irving won the Academy Award for Best Adapted Screenplay by adapting his own novel of the same name.
John Irving is a graduate of the Iowa Writers’ Workshop, and has been nominated for a National Book Award three times, winning in 1980 for The World According to Garp. In 2000, he won the Oscar for Best Adapted Screenplay for The Cider House Rules. In 2013, he won a Lambda Literary Award for In One Person. Internationally renowned, his books have been translated into more than thirty-five languages. A Prayer for Owen Meany is his best-selling novel, in every language.
Tickets to this event, like all tickets at the festival, are available first to passholders before they are available to the public. Interested attendees are encouraged to buy a pass for the best opportunity to join us at this special event. Passes are now on sale for the 2023 Refocus Film Festival, with single tickets available in the fall.
CIDER HOUSE RULES
Directed by Lasse Hallström
Saturday, October 14, 2023, 1:00pm
FilmScene at the Chauncey
Adapted by John Irving from his own novel of the same title, the film follows the life of Homer Wells (Tobey Maguire), a precocious orphan who leaves his lifelong home and his loving tutor, Dr. Larch (Michael Caine) to explore the world. While Homer struggles to make a life for himself on his own, he must make monumental decisions that will change the course of his future and deeply affect the lives of those around him. In addition to Maguire and Caine (in an Academy Award-winning role) the dynamic cast includes Paul Rudd, Charlize Theron, Delroy Lindo, Erykah Badu, Kieran Culkin, Heavy D, and Paz de la Huerta.
Your pass is a promise.
Our full festival film lineup will be released in September. Why buy your pass now? The festival is an immersive experience. So whether you prioritize the films, the conversations, the happy hours, or you're just here for the communal celebration, we can promise both a good time and new films you haven't seen.
Festival passholders also get the first chance to select their films, before they go on sale to the public. Seating will be limited so a pass is your surest way to see the films you're most excited for AND support our work.
These selections represent a diverse array of storytelling, adapted from, informed by, and in conversation with other works of art. All eight films will screen for the first time in Iowa, the Midwest, or the United States.
Films include documentaries on famed musicians from Thelonious Monk to The Strokes, an all trans cast in a form-breaking cross-examination of 50s gender health archives, Tolstoy’s letters and diaries interpreted by a famed documentarian, a zombie comedy that opened Cannes, an immigrant’s story told through letters sent from prison, a family drama adapted from a Palestinian novelist, and a traveling 35mm print — the only one in existence — which can only be seen in theaters before it deteriorates.
Want to ensure you get tickets to these great films? Passholders choose their films first!
MEET ME IN THE BATHROOM
Directed by Will Lovelace, Dylan Southern
Refocused from the book Meet Me in the Bathroom (Lizzy Goodman)
Dialogue with Author Lizzy Goodman
Official Selection: Sundance Film Festival 2022
The 2000s saw an explosion in the indie rock scene in New York City. Lizzy Goodman's book, Meet Me in the Bathroom, details those ramshackle sessions that spawned overnight sensations and cult favorites. With unprecedented access to footage of bands like The Strokes, Interpol, and many more, this film gives us access into the lives of the musicians that created a scene that went round the world.
LET IT BE MORNING
Directed by Eran Kolirin
Refocused from the Hebrew-language novel Let It Be Morning by Palestinian author Sayed Kashua
Official Submission: 94th Annual Academy Awards (Israel)
Adapted from the Hebrew language novel of the same name by Palestinian author Sayed Kashua, this gentle comedic drama follows Sami, as he finds himself and his family stuck back in the Arabic village where he grew up. The latest from the director of The Band's Visit deals with some charged issues of class and identity.
FINAL CUT [COUPEZ !]
Directed by Michel Hazanavicius
Refocused from the 2017 Japanese film One Cut of the Dead
Official Selection: Cannes Film Festival 2022 (Opening Night selection)
An adaptation of a modern cult classic (One Cut of the Dead) that itself was an adaptation of a play from the Academy Award winning director of The Artist, this bloody zom-com stays true to its predecessor, even casting one of the the actors from the original film in one of many meta shoutouts.
A COUPLE [UN COUPLE]
Directed by Frederick Wiseman
Refocused from the letters and diaries of Leo and Sophia Tolstoy
Official Selection: Venice Film Festival 2022
At 92 years old, legendary documentarian Frederick Wiseman (Titicut Follies) has made only a handful of fiction films. His latest is a collaboration with Nathalie Boutefeu who co-wrote and stars in this adaptation of letters and diary entries from Leo and Sophia Tolstoy.
FRAMING AGNES
Directed by Chase Joynt
Refocused from 1950s archives of the UCLA gender health clinic.
Dialogue with Filmmaker
Official Selection: Sundance Film Festival 2022 (NEXT Audience Award, NEXT Innovator Award).
After discovering the 1950 case files of a trans woman forced to choose between honesty and access to care, a trans director and cast interpret archival transcripts as talk show in a meta examination of the power, privilege, and perils of visibility.
REWIND & PLAY
Directed by Alain Gomis
Refocused from Thelonius Monk’s 1969 appearance on French television show Jazz Portrait
Official Selection: Berlin International Film Festival 2022
Using rushes from an episode of the French television show Jazz Portrait from December 1969 on which Thelonius Monk appeared, director Alain Gomis recontextualizes the footage of Monk's time in Paris, before his evening concert, to give us a raw and intimate look at an artist who is in the grip of the violent factory of stereotypes from which he is trying to escape.
SANSÓN & ME
Directed by Rodrigo Reyes
Refocused from letters sent between the filmmaker and the titular character, a prisoner at Pelican Bay State Prison
Dialogue with Director Rodrigo Reyes
Official Selection: Tribeca Festival 2022
How do you make a film about a person who isn't allowed to be filmed? Director Rodrigo Reyes seeks to do just that as he adapts his letters and conversations with Sansón, an undocumented Mexican immigrant who was sentenced to life in a California prison without parole, casting his family members for re-enactments of his personal history.
THE AFTERLIGHT
Directed by Charlie Shackleton
Refocused from hundreds of film fragments, each no longer alive, to create a living record
Official Selection: CPH:DOX 2022
Using footage from hundreds of films over decades of film history, The Afterlight tells a ghost story of sorts that is itself disappearing. This archival film brings together an ensemble cast of actors with one thing in common: each is no longer alive. There exists only a single 35mm print of the film. No digital copies. Touring around the world, director Charlie Shackelton's archival film is meant to deteriorate over time. As the film erodes with each projection, it will succumb to the same fate as those in it. It will cease to exist entirely.
Your pass is a promise.
Our full festival film lineup will be released the week of September 12th. Why buy your pass now? The festival is an immersive experience. So whether you prioritize the films, the conversations, the happy hours, or you're just here for the communal celebration, we can promise both a good time and new films you haven't seen.
Festival passholders also get the first chance to select their films, before they go on sale to the public. Seating will be limited so a pass is your surest way to see the films you're most excited for AND support our work.
Iowa City, Iowa — FilmScene, Iowa City’s Nonprofit Cinema, proudly announces Refocus Film Festival, a new film festival scripted specifically for the City of Literature. The inaugural year of the festival will be held October 6-9, 2022.
“Cinema builds community, and what better way to honor our this community than a festival uniquely crafted for Iowa City?” said FilmScene Executive Director Andrew Sherburne. “The last two years have been anything but festive, but we look forward to gathering in celebration this fall and believe it will be worth the wait.”
Refocus Film Festival will include films, conversations, multi-disciplinary performances, and art inspired by the work of adaptation, transforming one art form into another. The festival will take place primarily in FilmScene's five theaters at The Chauncey and on The Ped Mall, with additional programming in the downtown district.
“Literary and stage adaptations have been around as long as film has existed. Now with podcasts, video games, and countless other creative art forms to pull from, the possibilities for this program are endless,” said FilmScene Programming Director Ben Delgado. “We’re excited to bring this carefully curated program of new works to Iowa City.”
Movie lovers will rejoice at the opportunity to take in multiple films each day, with screenings preceded by local performing artists to create a kaleidoscopic impression of the many artistic disciplines that inform our big screen experience.
In the spirit of cross-disciplinary curiosity, Refocus will share the weekend with the Iowa City Book Festival. In addition to their independently curated programs, the festivals will cooperate to take audiences deeper into conversation about how an idea journeys from page to screen.
The name, Refocus Film Festival, resurrects the moniker of Refocus, a film and photography festival that existed at the University of Iowa from 1965 through 1978. An influential gathering during the nascent days of American film festivals, Refocus hosted luminaries like Charles Guggenheim, DeDe Allen, Robert Altman and Robert Redford.
Refocus Film Festival was initially announced for 2020, but had been delayed because of COVID-19 precautions. Additional details for the 2022 festival will be announced in the coming months and passes will be available in late summer.
ABOUT REFOCUS FILM FESTIVAL
Refocus Film Festival, in its inaugural year, will present a full weekend of films, gatherings, conversations, special guests, outdoor screenings, and live performances in a community-wide celebration of cinema. This vibrant, wholly unique annual festival will spotlight source material—literature, journalism, photography, music, art, podcast, and more—and present its evolution of voice, perspective and medium to the big screen.
ABOUT IOWA CITY BOOK FESTIVAL
The Iowa City Book Festival is produced by the Iowa City UNESCO City of Literature organization, and celebrates books and writing through a mix of readings, discussions, panels, demonstrations, and a book fair over the course of a week in October. The festival collaborates with numerous area organizations to produce dozens of programs that connect readers and writers, minds and ideas.
ABOUT FILMSCENE
FilmScene is Iowa City’s nonprofit cinema, working in partnership with the Bijou Film Board, a University of Iowa student organization, to present films at two locations on five permanent screens and a seasonal outdoor cinema. From our home in Downtown Iowa City, we enrich the cultural vitality of the surrounding area through community-supported programming that showcases exceptional American and international filmmaking in a vibrant, accessible, equitable, and welcoming space. FilmScene’s mission is to challenge, inspire, educate, and entertain our diverse communities through the shared discovery of film.
